Guide Suggests Ways to Market Fine Art Photography

PHOTOGRAPHERS. “Selling Fine Art Photography” is the newest e-book released by PhotoShelter. The free 26-page downloadable guide includes interviews with 12 experts who sell fine art photography online and offline. The experts include photographers, gallery owners, online curators, and consultants.

As you read through the guide, you’ll quickly see that there is no “one-size-fits-all” approach to success–partly because people have different interpretations of what a “fine-art photograph” is. The experts quoted in this guide offer a variety of opinions on what works and what doesn’t in selling photography as fine art and suggest a range of different tactics for getting noticed by online and offline galleries.

For example, Jeffrey Teuton, of the Jen Bekman Gallery in New York City, works closely with the 20×200 online gallery that markets limited-edition prints from a wide range of photographers. He urges fine-art photographers to “Be smart when choosing an online gallery to collaborate with. Many galleries like 20×200 have an exclusivity policy that prevents you from showing your same pieces in other venues. This means that the gallery you pick should have a strong marketing reach that can exposure you to a large network of potential customers.”

He notes that online galleries are receptive to emerging artists: “20×200 is not surprised when an undiscovered photographer comes on board and their work takes off—that’s why they make a point to search for fresh faces.”

The e-book also discusses how to use in-person events and social media to your marketing advantage, and different ways to maximize your website to generate business. This guide provides an in-depth look at how several photographers found their way into the fine art world and determined what can sell and how to price and market their work.

“Fine art is really defined by those who are purchasing,” observes photographer Ken Kaminesky. “You could have one piece that is very close to your heart that the person next to you has no reaction to whatsoever.” He also says that, “If you’re going to have an online presence to sell your fine art, you need to put time and effort into making yourself look good. That may mean hiring a website designer.”

Amanda Bowker, who has worked in some of the nation’s top museums and galleries, urges photographers to stay positive, create work even if it’s not being shown, and be persistent in try to get your art in front of collectors, galleery owners and curators: “Make it clear that you are a hard-working artist who is in it for more than the money. Curators and gallery owners will appreciate your dedication and commitment.”

PhotoShelter CEO Allen Murabayashi describes “Selling Fine Art Photography” as “a very helpful resource for photographers getting started in the fine art business, as well as those experienced pros who want ideas to fine-tune their marketing and sales. We’ve highlighted photographers, curators and other experts who have made smart decisions about ways to build an audience and market their fine art photography.”

Selling Fine Art Photography is part of PhotoShelter’s growing library of free business guides for photographers and freelance creative professionals. PhotoShelter’s e-book library includes guides on email marketing, search engine optimization, starting a photography business, social media marketing, and how to sell prints. One of PhotoShelter’s other new books explains how to use “crowdfunding” sites to raise financial support for your next photography project.

PhotoShelter is a leader in portfolio websites and photo sales, marketing and archiving tools for photographers. More than 70,000 photographers worldwide use PhotoShelter to power their success online, with customizable website templates, searchable photo galleries, e-commerce capabilities, and bulletproof image storage.

LINKS

About PhotoShelter

E-book: Selling Fine Art Photography

PhotoShelter E-Book Library

 

Agency Access Helps Commercial Photographers and Illustrators Find Clients

PHOTOGRAPHERS. ILLUSTRATORS. When you’re busy meeting multiple project deadlines, it’s easy to let marketing efforts lapse. But when you’re about to wrap up the last job in the pipeline, panic sets in because no new projects await. It’s time to restart your marketing!

Keith Gentile, CEO of Agency Access, understands why many small commercial photography studios and illustrators neglect marketing when things get busy. The trouble is, he says, “Marketing only works if you’re consistent.”

This is particularly true in today’s ultra-competitive environment. Your name and work must be in front of a buyer when they are ready to make the assignment for which you are best qualified.

Agency Access can help. They provide one-stop direct-marketing support for commercial photographers, illustrators, artist reps, and stock agencies. The company’s sole purpose is to help members find new clients.

At the heart of Agency Access services is an international database of 60,000+ commercial art buyers at ad agencies, magazines, book publishers, in-house departments, graphic design firms, and architectural firms. To help you connect with the individuals included in this database, Agency Access can help you plan, design, produce, and send email and direct-mail marketing campaigns.

With the all-inclusive Campaign Manager Pro program, you will work with a team of two Agency Access marketing experts, a Professional Artist Consultant, and a Campaign Manager. To help you land the type of jobs you want, the consultant will help you improve your brand, choose the right images, and edit your website. If your consultant believes your work isn’t quite up to the quality standards most clients require, they will coach you on steps you can take to improve. Your Campaign Manager Pro team will also help you develop a marketing plan, create the perfect leave-behind portfolio, produce and send direct-mail postcards, design and send e-mails, and conduct 6 cycles of follow-up telemarketing on your behalf.

Merger with ADBASE

Gentile expects services to Agency Access clients to become even better now that the firm has acquired the Adbase marketing mailing list service for creative professionals and the Adbase FoundFolios division. The FoundFolios Creative Network combines an online portfolio site for artists with a social-networking community for photographers, artists, designers, and photo buyers.

Adbase and FoundFolios are now divisions within Agency Access and will be maintaining their websites, brand identity and product offerings. Nelson Nunes, the co-founder of Adbase and FoundFolios, is now the vice president of the ADBASE group within Agency Access, responsible for its technology and day-to-day operations.

Gentile believes that “Combining forces will give both Agency Access and ADBASE members the best of both worlds.”

Adbase subscribers can continue to use the self-serve marketing tools they originally purchased from Adbase. Or, they can migrate to the full range of marketing support, campaign-management, and consultation services available through Agency Access.

Through new bundled subscription offerings, Agency Access members can purchase FoundFolios, additional self-serve marketing options, and all members will benefit from even stronger technology.

Gentile says the Adbase and Agency Access mailing lists will both continue to be updated and improved. Eventually, the two databases will be merged to become the largest, most comprehensive database available to commercial photographers and artists. For example, commercial photographers who want to market some of their work as fine art will be able to connect with some of the fine-art photography galleries that were originally included in the Adbase list. And Adbase members will be able to use the new Agency Access database of 6,000 broadcast clients for motion artists.

In a recent interview, Gentile said he doesn’t expect the consolidation of the companies to result in higher prices: “We have no plans to raise prices, and in fact some prices may drop. We’re just happy that we’re going to make Agency Access even better than it was before.”

Free Marketing Advice

Even if you don’t plan to use Agency Access or Adbase services in the immediate future, check out the valuable marketing advice that is freely available through Agency Access and Adbase blogs, podcasts, and videos. Here are a few posts that caught my eye:

Art Buyers Talk About Assigning Still + Motion Projects

Photographers: Stop Treating Video as an Add-On

Art Buyers Talk About Stock Imagery

Why and How Artists Should Use Social Media

21 Questions to Accurately Estimate a Photography Job

Some blog posts are being consolidated into e-books. When I signed up to follow Agency Access on Twitter, I received a link to en e-book entitled “35 Tips for Getting Noticed, Getting Meetings, and Getting Hired.”

The Creative Collision video series lets you see for yourself how industry experts answer questions frequently asked by Agency Access members. The Creative Collision team (Jennifer Kilberg, Suzanne Sease, and Amanda Sosa Stone) have interviewed top reps, art producers, art directors, and creative directors from firms such as The Martin Agency, StrawberryFrog, Saatchi & Saatchi, Jed Root, Bernstein & Andriulli, and GSD&M. Take a look:

Creative Collision Video: Is Print Dead?

Creative Collision Video: The Industry’s Direction

Creative Collision Video: Making Sense of Printed vs. iPad Portfolios

A free 3-day trial of Agency Access is available. The trial includes an online demonstration of how to use the Agency Access website.

LINKS

Agency Access

Adbase

Found Folios

FoundFolios Creative Network

 

InfoTrends Predicts Growth in Sales of Photo Merchandise

PHOTOGRAPHERS. DESIGNERS. A new market-research report from InfoTrends seems to suggest that professional photographers who can help make it easier for consumers to convert images into attractively designed books, posters, collages, and other projects can develop additional sources of revenues.

In the report entitled, “U.S. Consumer Photo Merchandise Market Forecast: 2010-2015,” InfoTrends projects that the photo merchandise market can grow substantially, reaching $2.2 billion in revenues by 2015.

They group photo merchandise in four categories:

  • Photo books
  • Photo greeting cards
  • Photo calendars
  • Specialty photo items

Specialty photo items include enlargements greater than 8 x 10 inches, posters, framed photo prints, photo collages, and fine-art photo prints on canvas.

InfoTrends analysts believes that photo books will contribute the most to overall revenue and will experience the largest growth numbers.

Attracting more first-time buyers into the photo merchandise market will be essential to achieving the forecasted growth rates, notes David Haueter, an associate director at InfoTrends: “Our consumer research data shows that, in 2010, only 32% of survey respondents had purchased any type of photo merchandise in the past year. This was an increase over 2009 numbers (25%), but there is still nearly 70% of the population that have not purchased photo merchandise in the last year.”

He believes vendors of photo merchandise can succeed by offering attractive and competitive products and marketing efforts that clearly show the benefits. In addition, photo-merchandise vendors must be constantly looking ahead to anticipate what additional products their customers will want or what types of new design or product features will appeal to them.

Vendors who sell photo merchandise to consumers must also consider how to improve the workflow process associated with creating and ordering photo merchandise items to make it simpler for their customers.

“There are challenges involved in being successful in this market,” Haueter says, “But InfoTrends has a very positive outlook on the long-term health and growth of this market, as it gives consumers a creative outlet for doing things with their photos.”

LINKS

U.S. Consumer Photo Merchandise Market Forecast: 2010-2015

About InfoTrends

RELATED POSTS

 PhotoShelter Guide Gives Practical Advice on Selling Prints

Website Exhibits Rare Works by Four Top Photojournalists

PHOTOGRAPHERS. The range of venues through which photographers can exhibit and sell prints continues to expand. A collection of 80 rarely seen black-and-white and color photographs by four renowned photojournalists is being sold through an exclusive, limited-time exhibition on the VandM (Vintage and Modern) website. The four featured photographers are: Hector Emanuel, Ed Keating, Joe McNally, and Robert McNeely. The exhibition was organized in collaboration with guest curator Robert McNeely, the official White House photographer during the Clinton Administration.

Photo entitled CUBA by Hector Emanuel for sale at VandM.com
Photo: CUBA by Hector Emanuel

In a statement on the VandM website, McNeely says he believes some of his best work was images he took on his own, during or between assignments. So when he contacted other photographers whose work he admires, he asked if they had work that reflected their love of photography and hadn’t been widely seen before.

All photographs will be sold in editions of 50 and will come with a certificate of authenticity signed by each photographer. The unframed photo prints on archival paper range in size from 11 x 14 to 24 x 36 and are priced from $600 to $3,000. The show was announced on August 2 and is scheduled to last one month.

The exhibition is the first in a series of online photography sales that VandM will produce in conjunction with guest curators.

Founded in 2006, VandM is an online source of vintage furniture, antiques, art, photography, and jewelry from hundreds of dealers around the world. Over 125,000 individuals visit the site each month to research favorite designers and learn what’s happening in the industry. The site has been featured in Architectural Digest, Elle Décor, Metropolitan Home, Chicago Home + Garden, and Apartment Therapy. VandM.com is available in 34 languages and has offices in New York, Los Angeles, Argentina, and Brazil.

LINKS

About VandM

Robert McNeely-Curated Photography Sale

Hector Emanuel

Ed Keating

Joe McNally

Robert McNeely

How to Use Photo Books to Market Your Photography or Art

PHOTOGRAPHERS. ARTISTS. The latest e-book added to PhotoShelter’s online library talks about “Marketing Yourself with Photo Books.”  Although the advice was written for photographers, the e-book might also interest artists, designers, and others who could use photo books to complement other marketing efforts.

The free, 23-page e-book describes ways self-published photo books can be used to effectively build a following among prospects and expand interest from existing clients. The content covers the following topics:

  • The economics of self-publishing
  • Using a photo book as your portfolio
  • Using a photo editor to help select and sequence your best images
  • Design considerations
  • Color fidelity
  • What to consider before and after you make your book

The publication also talks about what magazine photo editors and ad-agency photo buyers think about photo books. One photo editor says she doesn’t like getting huge packages in the mail from people she doesn’t know, so she doesn’t like receiving unsolicited books. But she says small photo books can be a great leave-behinds for photographers who come in for a meeting to show their portfolios.

Pro photographer and avid Blurb bookmaker Dan Milnor wrote the section on things to consider in making a photo book. He notes that, “Making a photo book is a great way to elevate your work.” He says that when you showcase your work in a book, it suddenly has context and presentation that goes way beyond what a promotional postcard can do. Milnor talks about some of the planning that should be done before you start, as well as some ideas for promoting your book.

Case studies in the book feature candid insights by fashion photographer Michael Creagh, travel photographer Graciela Cattarossi, advertising and editorial photographer Andrew Kaufman, documentary photographer Matt Eich, and lifestyle photographer Terry Vine.

Also included is a profile of Larissa Leclair, the founder of the Indie Photobook Library. The Library’s goal is to archive, preserve, and showcase self-published books and magazines.

Guidelines for submitting photo books are included on the Library’s website. Some books from the Library’s growing collection will be exhibited at the Photographic Resource Center in Boston this fall.

Although the “Marketing Yourself with Photo Books” guide was sponsored by Blurb, the e-book also discusses photography bookmaking services from other vendors. To encourage you to apply what you have learned about photo book publishing, the guide includes a 20% off coupon from Blurb.

“Marketing Yourself with Photo Books” is the latest in PhotoShelter’s ongoing series of free business e-books for photographers and marketing professionals. PhotoShelter’s library of 13 free e-books includes guides on email marketing, search engine optimization, starting a photography business, and marketing for freelance professionals.

LINKS

PhotoShelter

E-Book: Marketing Yourself with Photo Books

The PhotoShelter Resource Library

 

 

Visual-Search App Helps Buyers Compare Photography Pros

PHOTOGRAPHERS. A start-up company called Taproll is hoping to change the way that buyers find and compare photography pros. Taproll belives that as the number of professional and semi-pro photographers has exploded, the tools for connecting photographers with consumers have not kept pace. When searching online for a photographer, the consumer is confronted with a sea of search results, paid link directories, and inconsistent website experiences.

So, Taproll is beta testing a visual-search application that will make it easy for consumers in 10,000 cities to flip through hundreds of large-scale photo galleries to choose the best local photographer for their needs. The company was founded by Michael Quoc, a former product director for Yahoo! who managed product launches in the mobile social and real-time video areas.

Taproll provides a unified search index of photographers around the world. Via a simple and efficient interface, users can swiftly browse through hundreds of high-resolution photographer galleries and zero in on their favorite artists. Users can then access comparison tools, reviews, and pricing information to make an informed hiring decision.

Taproll’s geospatial media search engine will be available for photographers in 10,000 cities worldwide. This means consumers can easily find local photographers who have the desired visual style and capabilities.

“Hiring a photographer should feel less like sorting through search results and more like viewing a photographic gallery,” says Quoc.

For photographers, Taproll offers a change from the current generation of paid photography directories. Taproll is free, and provides high-resolution image hosting, inclusion in the company’s geo-targeted search index, and a fully-featured business page that is already optimized for web search engines such as Google. Quoc says that some photographers are considering using Taproll as their primary business page, because it provides many of the core messaging, analytics and portfolio features of a standalone website. The company plans to announce a set of enhanced features for premium subscribers.

LINK

Taproll