HP Unveils Technology for Immersive Computing and Faster 3D Printing

HP Multi Jet Fusion

HP Multi Jet Fusion

For months there has been speculation that HP would make a grand re-entrance into the world of 3D printing. And indeed, they have.

At a launch event in New York on October 29, HP unveiled its vision for the future of computing and commercial viability of 3D printing.

According to HP, their advancements have the potential to revolutionize production and offer small businesses a new way to produce goods and parts for customers.

HP’s new Blended Reality ecosystem combines the new Sprout by HP computing platform and HP’s disruptive Multi Jet Fusion technology for 3D printing.

  • Sprout by HP

    Sprout by HP

    Sprout by HP is a first-of-its-kind “Immersive Computing” platform that redefines the user experience by combining a computer with a scanner, depth sensor, hi-res camera, and projector in a multi-screen device. With Sprout by HP, designers and makers can take physical items and seamlessly merge them into a digital workspace.

  • HP Multi Jet Fusion is a revolutionary technology engineered to resolve critical gaps in the combination of speed, quality and cost, and deliver on the potential of 3D printing.

“We are on the cusp of a transformative era in computing and printing,” said Dion Weisler, executive vice president, Printing & Personal Systems (PPS), HP. “Our ability to deliver Blended Reality technologies will reduce the barriers between the digital and physical worlds, enabling us to express ourselves at the speed of thought – without filters, without limitations. This ecosystem opens up new market categories that can define the future, empowering people to create, interact and inspire like never before.”

HP Multi Jet Fusion Advances 3D Printing

Leveraging HP’s decades of leadership in the print market and advanced materials science, HP Multi Jet Fusion is designed to resolve fundamental limitations in today’s 3D print systems while delivering higher productivity and quality at a lower cost.

Stephen Nigro, Senior Vice President of HP’s Inkjet and Graphics Solutions Businesses, unveils the new HP Multi Jet Fusion at the Sprout by HP and HP Multi Jet Fusion Launch event on Wednesday, Oct. 29, 2014 in New York. (Photo by Evan Agostini/Invision for HP/AP Images)

Stephen Nigro, Senior Vice President of HP’s Inkjet and Graphics Solutions Businesses, unveils the new HP Multi Jet Fusion at the Sprout by HP and HP Multi Jet Fusion Launch event on Wednesday, Oct. 29, 2014 in New York. (Photo by Evan Agostini/Invision for HP/AP Images)

“As we examined the existing 3D print market, we saw a great deal of potential but also saw major gaps in the combination of speed, quality and cost,” said Stephen Nigro, senior vice president, Inkjet and Graphic Solutions, HP. “HP Multi Jet Fusion is designed to transform manufacturing across industries by delivering on the full potential of 3D printing with better quality, increased productivity, and break-through economics.”

Multi Jet Fusion is built on HP Thermal Inkjet technology and features a unique synchronous architecture that significantly improves the commercial viability of 3D printing and has the potential to change the way we think about manufacturing.

  • 10-Times Faster: The technology images entire surface areas instead of one point at a time. This makes it possible to achieve breakthrough functional build speeds that are at least 10 times faster than the fastest technology in market today.
  • New Levels of Quality, Strength and Durability: A proprietary multi-agent printing process utilizes HP Thermal Inkjet arrays to simultaneously apply multiple liquid agents and produce greater accuracy,resiliency and uniform part strength in all three axis directions.
  • Accuracy and Detail: The HP technology can deliver fully functional parts with more accuracy, finer details, and smoother surfaces than other 3D print processes. The HP Mult Jet Fusion method can be used to manipulate part and material properties, including form, texture, friction, strength, elasticity, electrical, thermal properties and more.
  • Breakthrough Economics: The HP technology unifies and integrates various steps of the 3D print process to reduce running time, cost, energy consumption and waste. This significantly improves the economics of 3D printing.

 Materials and Color Science

HP is committed to developing a platform that will become an industry standard. The company is focused on growing the highest potential commercial markets. While the HP 3D Print technology is available today, HP is working directly with customers under the HP Open Customer Engagement Program. Through this program, HP will continue to extend the capabilities of the HP 3D Print platform throughout development and will provide a certification process for partners to drive materials innovation. Wider distribution of the HP 3D Print system will begin in 2016.

By inviting open collaboration, HP and contributors will be able to achieve greater flexibility and versatility in 3D Print materials beyond the current use of thermoplastics, which will enable new solutions in segments such as additive manufacturing and will expand applications for engineering, architecture and consumer goods. HP will also bring its color science expertise and the full-color capabilities of traditional HP printing to the 3D world in future-generation 3D Print systems.

Sprout by HP Reimagines Computing

The first product available in HP’s Blended Reality ecosystem, Sprout by HP combines the power of an advanced desktop computer with an immersive, natural user interface to create a new computing experience.

Guests interact with innovative technology introduced at the Sprout by HP and HP Multi Jet Fusion Launch event. (Photo by Ivan Agostini/Invision for HP/AP Images)

Guests interact with innovative technology introduced at the Sprout by HP and HP Multi Jet Fusion Launch event. (Photo by Ivan Agostini/Invision for HP/AP Images)

“We live in a 3D world, but today we create in a 2D world on existing devices,” said Ron Coughlin, senior vice president, Consumer PC & Solutions, HP. “Sprout by HP is a big step forward in reimagining the boundaries of how we create and engage with technology to allow users to move seamlessly from thought to expression.”

Because a scanner, depth sensor, hi-resolution camera and projector are built into a single device, Spout by HP enables users to bring objects from the physical world into the digital workspace, where users in multiple locations can collaborate on and manipulate a single piece of digital content in real-time.

“People have always created with their hands,” added Coughlin. “Concurrently, technology has progressed from the first transistors, through calculators to today’s most sophisticated computing platforms. Until now, the physical and digital worlds have largely been separated and digital creation has remained in 2D. With Sprout by HP, we introduce the first immersive computing platform, seamlessly merging these two worlds together, enabling people to intuitively bring their creations, work, and projects to life in 3D.” Below are some of the features of Sprout by HP.

  • Dual-screen Experience: Designed for creative expression and human interaction, the workspace couples a vertical HD touchscreen with a 20-point capacitive touch mat.
  • The Sprout Illuminator: This projection system scans and captures real-world objects in 3D, allowing the user to immediately interact and create.
  • HP Workspace: The software platform built expressly for Sprout takes full advantage of the dual-screen experience to make working and creating seamless, intuitive and engaging.
  • True Remote Collaboration: The interface advances how users work, collaborate and share. Simultaneous visual and workspace connectivity, allowing concurrent creativity and content manipulation.
  • Advanced Platform: The next-generation computing platform features a powerful 4th generation Intel i7 Processor, 1TB of storage in an easy-to-use dual-screen interface, and a Windows 8.1 multi-touch experience.

Sprout Marketplace

The potential of Sprout by HP’s unique configuration is fully realized through the Sprout Marketplace, an application marketplace that contains a growing suite of applications that are optimized to take advantage of Immersive Computing platform to enhance how users work, play and engage with entertainment.

The Sprout Marketplace currently contains a suite of Windows-based applications designed uniquely for the dual-screen environment including the Martha Stewart CraftStudio, DreamWorks Animation Story Producer, Crayola’s Draw & Sing, GestureWorks Gameplay and first party experiences from HP including Create, Collaborate and Capture, enabling users to easily capture physical objects, manipulate them in a digital environment, and collaborate and share their creations in new ways.

New applications, including a range of creative applications for professionals, families, gamers and beyond, will continue to be added to the marketplace regularly. The Sprout Software Development Kit is available at www.sprout.hp.com/developer.

Sprout by HP is available for pre-order at hp.com today and will be available for purchase in select retail locations and at hp.com on November 9.

LINKS

Sprout by HP

HP

Video: Blended Reality

 

Study Estimates About 53 Million Americans Are Freelancing

 

CoverofFreelancingReport (2)More than one in three workers — 53 million Americans — are now freelancing, according to the most comprehensive survey of the U.S. independent workforce in nearly a decade.

The study, “Freelancing in America: A National Survey of the New Workforce,” was conducted by the independent research firm Edelman Berland and commissioned by Freelancers Union in partnership with Elance-oDesk.

“Freelancing is the new normal — and this survey shows that America’s new workforce is big, crucial, and here to stay,” said Sara Horowitz, Founder and Executive Director of Freelancers Union.

“The 53 million Americans who are freelancing already contribute more than $700 billion to our national economy and help U.S. businesses compete and find the skills that they need. This is just the start: The connected era we live in is liberating our workforce. The barriers to being a freelance professional — finding work, collaborating with clients and getting paid on time — are going away,” said Fabio Rosati, CEO of Elance-oDesk.

Key Findings

The economic impact of the 53 million Americans who are freelancing is significant. Collectively, they contribute more than $715 billion in freelance earnings to the national economy. And that impact is expected to grow in the coming years. Findings show that:

Freelancers are seeing more demand for their work. Twice as many freelancers have seen an increase in demand in the past year as have seen a decrease (32% increase, versus 15% decrease).

Technology is helping freelancers find work. Nearly seven in ten (69%) freelancers said technology had made it easier to find freelance work, and 42% said they have done freelance work via the Internet.

As demand increases, so does their reputation. Almost two out of three (65%) freelancers said freelancing as a career path is more respected today than it was three years ago.

The potential for earnings is helping to drive the growth of freelancing.  80% of non-freelancers surveyed said they would be willing to do additional work outside of their primary job if it was available and enabled them to make more money.

There is room for growth. Three times as many freelancers expect their hours to increase in the next year as expect their hours to decrease (38% expect to increase hours, versus 12% expect to decrease).

Millennials (workers under 35) are more likely to freelance. 38% of Millennials are freelancing, compared to 32% of those over 35. Millennials are also most optimistic about the future of the freelance job market, with 82% saying that the best days are ahead (compared to 74% of those over 35).

Five Freelancer Segments

The study identified five segments of freelancers, covering the diverse range of people who are freelancing today:

Independent Contractors (40% of the independent workforce / 21.1 million professionals). These “traditional” freelancers don’t have an employer and instead do freelance, temporary or supplemental work on a project-to-project basis.

Moonlighters (27% / 14.3 million). This professionals have a primary, traditional job but also moonlight doing freelance work. For example, a corporate-employed web developer may also do projects for non-profits in the evening.

Diversified Workers (18% / 9.3 million). This group includes people with multiple sources of income from a mix of traditional employers and freelance work. For example, someone who works at a dentist’s office 20 hours a week may generate the rest of his income driving for Uber and doing freelance writing.

Temporary Workers (10% / 5.5 million). These freelancers work for a single employer or client on a temporary job or contract project. For example, a business strategy consultant may be contracted to work for a startup client on project that lasts several months. .

Freelance Business Owners (5% / 2.8 million). These freelancers are small-business owners, with between one and five employees. The freelance business owner consider himself both a freelancer and a business owner. For example, a social marketing guru still identifies as a freelancer even after hiring a team of other social marketers to build a small agency. .

Mikki Morrissette of Minneapolis spent more than a decade in corporate publishing in New York City before switching over to become a freelance writer and communications specialist 15 years ago.

“I am so much happier in this new stage of my career,” Morrissette said. “As a single mom with two kids, and an itch for travel, I love the flexibility. I get to choose the projects I work on and mostly work with other eclectic entrepreneurs like me. I love being free to pursue my interests where they take me.”

About the “Freelancing in America” Study

For the study, more than 5,050 U.S. working adults over the age of 18 were surveyed online between July 19, 2014 – July 31, 2014. Of those, 1,720 were freelancers and 3,332 were non-freelancers. Results are weighted to ensure demographic representation in line with the United States Bureau of Labor Statistics 2013 Labor Force Statistics from the Current Population Survey. The study has an overall margin of error of ±1.38% at the 95% level of confidence.

About Freelancers Union

The Freelancers Union serves the needs of the growing sector of independent workers. More than one in three working Americans is an independent worker. They are lawyers, nannies, graphic designers, writers, artists, photographers, illustrators, marketing specialists, and more.

About Elance-oDesk

Elance-oDesk is one of the world’s largest online workplaces. More than 2.5 million businesses and 8 million freelancers tap into www.Elance.com and www.oDesk.com to work together via the Internet.

LINKS

Freelancing in America: A National Survey of the New Workforce

About Freelancers Union

 

Gear Up for National Novel Writing Month with Free BookBaby Guide

Logo for National Novel Writing Month

Image courtesy of National Novel Writing Month

Are you finally ready to tackle that novel you’ve always dreamed of writing? November is National Novel Writing Month (NaNoWriMo), a program established in 1999 to encourage aspiring authors to stop procrastinating and finish a 50,000 word rough-draft manuscript between November 1 and 30. Having a 30-day “deadline” can inspire you to write a certain amount of words each day (or week) and add “novelist” to your list of personal accomplishments.

In 2013, National Novel Writing Month attracted 310,095 participants, 89,500 students and educators, and 650 libraries. You can work independently or with inspiration and support through programs organized by the non-profit National Novel Writing Month organization.

According to the program’s organizers, ““NaNoWriMo is a powerful antidote to that horrible foe of creativity: self-doubt. NaNoWriMo is a rollicking conversation about all aspects of writing, and an invitation to dare to do what seems inpossible. What many NaNoWriMo writers have discovered, the best way to learn to write a novel is by simply plunging in to write a novel.”

Over 250 NaNoWriMo novels have been traditionally published, including Sara Gruen’s “Water for Elephants,” Erin Morgenstern’s “The Night Circus,” Hugh Howey’s “Wool,” Rainbow Rowell’s “Fangirl,” Jason Hough’s “The Darwin Elevator,” and Marissa Meyer’s “Cinder.” Countless more novels written during NaNoWriMo have been self-published.

BookBaby Is Offering a Free Writer’s Guide

Cover of Bookbaby guide "The end"Once you have celebrated the accomplishment of writing a 50,000-word draft, BookBaby can help you take your manucript to market. They are offering a free, informational e-book entitled, “The End: Now What? Take Your Manuscript to Market in 6 Weeks.”

The e-book explains how to take you manuscript through the editing, design, conversion, and book-distribution process. The guide includes:

  • Manuscript tips from a best-selling author
  • Advice on how to find an editor any budget (even $0)
  • Guidance on how to choose the book publishing pathway that’s best for you
  • Valuable insights on cover design and book merchandising

The book was written by BookBaby president Steven Spatz, who notes that: “NaNoWriMo gives authors a thrilling, inspiring, crazy challenge. BookBaby is always proud to support the event.”

The book is available to NaNoWriMo participants as a free PDF, mobi, or ePub download.

Bookbaby also publishes an excellent blog and offers a collection of other free guides for aspiring authors.

LINKS

E-book: “The End: Now What?!”

About BookBaby

About National Novel Writing Month (NaNoWriMo)

FAQs about NaNoWriMo

Authors Watch As Their Books Are Printed in Canon Booth at Graph Expo Show

Book After the Curtain Falls Ainsley ShayContinuing advances in digital printing and finishing technologies have made it practical and affordable for more authors to publish hard-copy versions of their books. At the 2104 Graph Expo show for commercial printing companies, independent authors Ainsley Shay and Miranda Hardy watched their books being printed on the Océ ColorStream® 3900 high-speed production inkjet printing system in Canon U.S.A. booth.

Shay’s book, “After the Curtain Falls,” is an entry in the red-hot young adult fantasy/paranormal category, while Hardy’s book, “Wacky Waddles,” is geared toward younger children.

“Wacky Waddles” was finished onsite by Standard Finishing Systems which unwound preprinted rolls into a Hunkeler CS6 cutter where they were cut into 12 x 18-inch sheets. The sheets were accumulated in the Horizon StitchLiner 6000 Digital where they were stitched, folded, and three-knife trimmed.

Shay and Hardy spent some time in the Canon U.S.A. booth at Graph Expo signing preprinted books finished in advance by Gasch Printing, a leader in short-run book printing based in Odenton, Maryland.

WackyWaddles-by Miranda Hardy“We met a lot of wonderful people and signed so many books that day,” said Miranda Hardy. She adds that, “It was amazing to see our books printed right before our eyes. This was our first time seeing the process, and we hope it won’t be the last.”

The Role of Technology

According to Jeremy Hess, director of sales and marketing for Gasch Printing, the self-publishing trend is growing “bigger by the day.” It has become a major focus for the company that uses robust Canon and Océ printing technology.

Advances in digital printing technology are responsible for the boom, says Hess: “Digital printing provides independent authors and publishers flexibility and affordability they didn’t have before. They can do test runs and find out how the book is going to be received before they commit to printing 500 or 1,000 or more copies of their book. It’s really placed their destiny in their own hands.”

Canon Solutions America is committed to developing the technology that paves the way for writers to publish their own work, according to Francis A. McMahon, vice president, marketing, Production Print Solutions division of Canon Solutions America: “There are countless great writers creating phenomenal works that would never see the light of day were it not for self-publishing. We are thrilled that our technology is empowering these talented individuals—and the printers they utilize—to unleash their creativity and bring their work to the masses.”

Shay and Hardy can attest to the freedom that digital printing technologies have given writers like them. They founded their own publishing company, Quixotic Publishing, and revel in the joys of controlling the entire process—from writing and editing to formatting and choosing the cover.   “It’s absolutely wonderful,” says Hardy. “It gives writers a creative edge and motivation to do something they always wanted to do, but never dared because they thought it would be too difficult.”

Shay and Hardy have been publishing books for two years now and plan to continue doing so now that things have become so much easier for self-published authors. Hardy believes “Modern technology is a true gift to creative individuals.”

LINKS

Quixotic Publishing

Canon Solutions America

Gasch Custom Book Printing Services

 

Survey Shows Workers Want Firms to Be More Creative

TCG-LogoCompanies may think they’re pushing the envelope when developing new advertising and marketing campaigns, but most of their creative employees would disagree, new research shows.

Seven in 10 (71 percent) of the creative professionals surveyed by The Creative Group (TCG) and AIGA said their firms don’t take enough creative risks with projects. More than one-quarter (28 percent) of respondents said they don’t feel empowered by their managers to take creative risks.

The research is part of the Creative Team of the Future, a joint project between TCG and AIGA that explores key trends shaping the creative profession and how to prepare for challenges and opportunities ahead. It includes a survey of more than 750 creative professionals and insights from leaders in the creative industry.

Key Findings

  • While 28 percent of creative professionals feel their company takes the right amount of risks, a majority (71 percent) believes their firm plays it too safe. Less than one-quarter (23 percent) of employees feel very empowered by their manager to take creative risks at work; slightly more (28 percent) don’t feel empowered at all.
  • About half (54 percent) of creative professionals are very comfortable presenting new ideas to their manager or team members; the rest have some qualms.
  • Just over half (53 percent) of respondents feel their organization is perceived as innovative.

“As the creative industry continues to change rapidly, staying ahead of the curve has grown more important — and more challenging,” said Diane Domeyer, executive director of The Creative Group. “Building a culture of smart risk-taking — taking a new approach or creating an edgy campaign, for example — can benefit organizations by empowering staff to come up with new ideas and remain innovative.”

Overcoming Creative Blocks

To help businesses foster smart risk-taking, TCG and AIGA have published a new report “Innovation in the House: Creativity Lessons From Five Top In-House Creative Teams.” t provides an inside look at how creative leaders at five innovative organizations, including Disney’s Yellow Shoes Creative Group, Square and Target, keep their teams inspired.

About The Creative Group

The Creative Group (TCG) specializes in placing a range of highly skilled interactive, design, marketing, advertising and public relations professionals with a variety of firms on a project and full-time basis.

LINKS

The Creative Group

Report: “Innovation in the House: Creativity Lessons from Five Top In-House Creative Teams”

The Creative Group Creative Risks

 

 

Earn Online Master’s Degree in Integrated Design, Business, and Technology

As designers become more influential in helping businesses create strategies related to technology and innovation, expect to see continuing innovations in design education.

Wired USCThe University of Southern California, Condé Nast and WIRED have announced a partnership to create a new online Master’s degree in Integrated Design, Business and Technology. The partnership combines the expertise of the editors, writers, and designers at WIRED with the academic rigor of USC.

USC is a leading research university known for pioneering interdisciplinary programs. For more than 20 years, WIRED has been a source of information and ideas that make sense of a world in transformation. WIRED reaches more than 30 million each month through WIRED.com, the print and digital magazine, social media and live events. The WIRED conversation illuminates how technology is changing every aspect of our lives—from culture and business to science and design. Breakthroughs reported in WIRED lead to new ways of thinking, new connections, and new industries.

The aim of the new 18-24 month Master’s Degree in Integrated Design, Business and Technology is to educate creative thinkers and technologists to better equip them to transform the world of industry and enterprise.

The Dean of the USC Roski School of Art and Design Erica Muhl and WIRED Editor in Chief Scott Dadich announced the new online degree at WIRED By Design, a live magazine event held at Skywalker Ranch in Marin, Calif.

The new master’s degree will offer specially designed coursework from the Roski School, the USC Marshall School of Business, the USC Viterbi School of Engineering and other leading programs at the university. The program is scheduled to begin in the 2015-2016 academic year.

“The pace of technology development requires higher education to continue to respond with programs that are flexible and adaptable, and that meet the needs of future cultural and business leaders,” said Dean Muhl.

“We’ve been thinking for years about what a university curriculum with WIRED would look like, and now we have a chance to build it with a terrific partner,” said Dadich. “Taking the best from USC and WIRED, we can teach discipline and disruption, business fundamentals, and the very latest innovation models from Silicon Valley.”

USC’s online graduate education model builds upon the historic role of the traditional university while incorporating advances of the digital age. USC currently offers more than 80 programs online to approximately 8,000 graduate and executive education students.

In addition to offering a unique curriculum, the format of the new Master’s Degree program will offer distinctive opportunities to its participants, including: residencies at WIRED headquarters, exclusive audiences with WIRED leaders and conference speakers, and access to WIRED’s highly respected editors and writers, as well as leading industry icons.

Students in the program will be immersed in the culture of WIRED’s award-winning edit and design team, learning how they report, interpret and anticipate the next big breakthroughs in business, science, technology, design, and culture.

“WIRED is recognized as a source for up-to-the-minute ideas, analysis and perspective,” said Robert A. Sauerberg Jr, President of Condé Nast, which publishes WIRED. “Today we’re announcing the first of several partnerships we plan to create that will merge the knowledge and expertise of Condé Nast’s brands with distinguished academic programs to develop the next generation of talent. Given its reputation as an innovator, it makes perfect sense that WIRED is the first.”

USC’s program development and build out will be powered by higher education partners Synergis Education and Qubed Education. Synergis helps colleges and universities design and launch programs of distinction by creating unique learning environments and supporting recruitment, retention and student services. Qubed establishes new partnerships between top-tier universities and leading media organizations and brands to create high-quality innovations in world-class higher education institutions.

LINKS

USC Roski School of Art and Design

USC

WIRED: Come Learn at WIRED and USC’s New Degree Program

 

The UPS Store Expands 3D Printing Nationwide

Following the successful launch of 3D print in six markets across the country, The UPS Store® is expanding 3D printing services to nearly 100 additional locations nationwide. The UPS Store will be the first nationwide retailer to offer 3D printing services in store.

Customers can bring a Computer Aided Design (CAD) file to participating locations and 3D print their product design on a Stratasys uPrint SE Plus professional-grade 3D printer. The printer is designed to accurately and reliably produce complex engineering parts, functional prototypes, durable models, and one-of-a-kind-objects. Entrepreneurs, engineers, home inventors, and makers can use 3D printing to help refine their ideas and reduce product development time.

During the 2013 pilot program conducted at six UPS Stores, the 3D print services were used by small businesses, startups, inventors, artists and a wide range of professionals. Over the past year, the six locations saw demand for 3D print continuing to increase across a broad spectrum of customers.

“More small business owners and entrepreneurs are looking to 3D printing to help bring their innovations to market,” said Gilad Gans, President of Stratasys North America. “The UPS Store is at the forefront of a growing number of retailers that see additive manufacturing as a significant value-add for their customers.”

Globally, 3D printing services offered by retailers and other providers are growing in demand. According to Wohlers Report 2014, a survey of 3D printing service providers worldwide revealed that more than two-thirds (68.3 percent) added new machines in 2013, up from 58.1 percent in 2012. Overall, the 3D print service provider sector increased by 21 percent last year.

“We are committed to offering small business owners, entrepreneurs and consumers high-tech solutions in order to assist with all of their business needs,” said Michelle Van Slyke, vice president of marketing and sales at The UPS Store. “We launched the pilot to evaluate if there was demand for 3D print and we’re excited to be announcing an expansion, giving even more small business owners access to high-quality, professional 3D printing.”

Now small business owners and consumers across the country will have convenient access to top-notch 3D printing at a much higher quality than an at-home 3D printer can provide.

“There are significant differences between home 3D printers and professional 3D printers,” said Daniel Remba, small business technology leader at The UPS Store. “Many of the challenging and time consuming steps used to prepare a simpler printer are fully automated on the uPrint SE Plus, leading to added precision and reliability, higher print quality, and a success rate unmatched by a home printer.”