Book Explains How to Publish a Photography Book

PHOTOGRAPHERS. If you have an idea for a photography-book project but aren’t sure whether to self publish or seek a publisher, read the new book “Publish Your Photography Book” by photography-book-industry insiders Darius D. Himes and Mary Virginia Swanson. In addition to explaining the process of publishing a book of your photographs, the book highlights avenues you might not have considered and points out potential pitfalls.

It also suggests that a photography book can help enhance your visibility and career. Himes and Swanson note that a well-executed photography book can provide you with a passport to the international photography scene and lead to exhibitions, talks, gallery walks, press interviews, and other opportunities.

The book is divided into six sections.

Section 1: The Photography Book Phenomenon
Here, the authors explain why interest in books as a means of photographic expression is rising (and isn’t likely to be disappear any time soon). They point out that a photography book is more than a simple collection of printed photographs. It is often regarded as an autonomous art form.

Section 2: The Nuts and Bolts of Publishing
Whether you plan to self-publish or submit a proposal to a trade-book publisher, this section emphasizes the importance of clearly understanding your goals and developing a solid and engaging concept for your book.

The authors recommend examining your favorite photography books in more detail: What is the book about? Can you summarize the subject in one clear sentence? Is there a singular artistic vision? How is the cover designed? How are the pages laid out? How are the images sequenced? How much does the book stick with you after you’d viewed it?

Section 2 also talks about how publishers work, explains how to approach a publisher, and suggests things to look for when reading a publishing contract.

You’ll also learn how and when it makes sense to use print-on-demand technology to publish a book yourself and when you’d be better off going through a publisher.

For example, working with a publishing company involves collaborating with experienced professionals. This means you must be prepared to compromise in certain areas because the book is not just yours alone, but is also part of a company with a brand and a mission. When you self-publish, you must take on all steps of the process yourself, including hiring individuals who can help you execute your vision for the book and help market it.

The authors write that: “Successful self-publishers are those who are organized and entrepreneurial at heart, who know their audience, can effectively reach that audience, and have the financial and labor resources available to take on numerous roles.”

Section 3: The Making of Your Book
This section walks you through the three main stages of making a book: determining and shaping the editorial content, creating a design that enhances the content without overwhelming it, and working with a printer. Many of these decisions will be based on the concept you have developed and communicated for the book.

Section 4: The Marketing of Your Book
No matter whether you self-publish or have your book published, expect to play an active role in marketing and promoting your book. And you don’t wait until your book is printed to begin thinking about marketing. The first phase of your marketing strategy should begin well before your book is ready to ship. The second phase will be designed to extend the life of your book beyond its publication date.

“Publish Your Photography Book” provides tips for building mailing lists, creating a budget, maintaining a consistent brand identity, working with a publicist, mailing publicity packets, and using the Internet.

The authors also talk about opportunities for cross-marketing. For example, “If the photographs featured in your book can be acquired as limited-edition prints, or are available to be presented as a collection in a traveling exhibition, it is wise to include that information in all formats of your press materials.”

Section 5: Case Studies
Throughout Sections 1 through 4, you’ll find insightful interviews with publishers, editors, designers, photographers, and self-publishers that reinforce some of the advice presented in the book. Section 5 profiles seven photographers who have published one or more photography books:

  • Alec Soth, “Sleeping by the Mississippi” and “The Last Days of W”
  • Paula McCartney, “Bird Watching”
  • David Maisel, “Library of Dust”
  • Lisa M. Robinson, “Snowbound”
  • Alex Webb and Rebecca Norris Webb, “Violet Isle”
  • Sean Perry, “Transitory and Fairgrounds”
  • John Gossage, “The Pond”, and “Stadt Des Schwarz”

One of the profiles quotes McCartney as saying, “It is very important that my books are artworks in themselves, not merely portfolios of my photographic projects…I think of books as a medium—like painting, photography, or sculpture—where all of the elements, including form, content, and materials are in dialogue with each other and are meaningful to the finished work.”

Section 6: Resources, Appendices, and Worksheets
This section includes 24 pages of helpful resources. For example, it includes: a diagram of the anatomy of a photography book; timelines for design, production, and marketing activities; a worksheet for preparing for your book; and guidelines for submitting a proposal to publishers. Also included are lists of: publishers; distributors; independent bookstores and dealers; festivals, awards, and trade events; blogs and book art resources; and online marketing resources.

About the Authors
Darius D. Himes was a founding editor of photo-eye Booklist and is a cofounder of Radius Books, a nonprofit company publishing books on the visual arts. Himes is a lecturer, consultant, and writer who has contributed to numerous publications. PDN magazine named him one of the fifteen most influential people in photography book publishing. For the past four years, Himes has been the lead judge of Blurb’s Photography Book Now Competition.

Mary Virginia Swanson is a consultant in the area of licensing and marketing fine-art photography. Swanson frequently lectures and conducts seminars and educational programs for photographers. She is a respected judge of competitions and awards as well as frequent portfolio reviewer.

If you want guidance about how to proceed with a specific book idea, Darius Himes and Mary Virginia Swanson offer one-on-one in-person or Skype consultations. To schedule a consultation, visit: http://www.publishyourphotographybook.com/

LINKS

Publish Your Photography Book

 

 

 

 

LuxFolio Lets You Show 3D Photos and Designs on Your iPad

The LuxFolio™ Stereoscopic Portfolio iPad app ($2.99) lets you view and present 3D stereoscopic images on your iPad or a connected monitor, TV, or projector. The images can be produced with special 3D cameras or mounts or with 3D rendering software.

The app was produced by Luxology, an independent technology company in Mountain View, California that is developing next-generation 3D content-creation software. Luxology’s flagship product is modo 3D rendering software that is used by film and broadcast artists, computer graphics specialists, photographers, packaging designers, game developers, and web designers.

In the LuxFolio app, Images can be viewed in one of three ways:

The 2-up mode displays both images side-by-side and is designed to support connected stereoscopic video displays.

The wobble mode shifts between left and right views to simulate the act of moving your head side-to-side to see the stereo parallax of a scene.

The anaglyph mode works with commonly available red-blue 3D glasses. This view combines the two sides of the stereo pair using different colors, so that the left image is mostly blocked by the blue filter over the right eye, and the right image is blocked by the red filter over the left eye.

Modo screenshot on LuxFolio. Courtesy of Luxology.

You can organize images into slideshows with adjustable slide duration, plus manual forward, backwards and pause controls. Full screen iPad viewing is supported with zoom and pan functionality using standard iPad gestures.

“The LuxFolio app lets customers of modo and various other 3D software packages view their stereo assets on the go,” said Brad Peebler, president and co-founder of Luxology. “We are just beginning to tap into the image presentation and processing capabilities of the iPad and look forward to presenting customers with new and exciting options in the future.”

LINKS

Luxology

LuxFolio

 

6Sight Summit Discusses the Future of Imaging

6Sight LogoPHOTOGRAPHERS. Creative pros know that innovative thinking comes from seeing new things, listening to different ideas, and being open to new experiences. That’s why successful entrepreneurs attend conferences about topics other than the skills and equipment they need at the moment.

By paying attention to where technology is headed, smart entrepreneurs are the first to envision new types of business models and anticipate trends that could potentially disrupt their current businesses.

If your business involves selling photography products or services, check out the program of the 6Sight Future of Imaging Summit, which will be held June 20 to 22 at the Sainte Claire Hotel in San Jose, California. Produced by PMA® International, this event brings together technologists, marketers, futurists, industry analysts, educators, high-volume users, and journalists to preview breakthrough imaging technologies, forecast innovative uses, and spark new ideas and alliances.

At this year’s event, mini-summits will focus on technology, trends, and opportunities in four areas: mobile imaging, social imaging, photo publishing, and photo image capture.

Mobile Imaging Summit. This track is chaired by 6Sight mobile-imaging analyst Tony Henning, who observes that “Ten years after their introduction in Japan, camera phones are finally delivering on their promise. In the last few years, camera-phones and their ecosystem have progressed from being the unwanted stepchild of the imaging industry to the driving force. Significant growth and innovation in the photography industry is coming from the mobile side.”

The keynoter will be J. Gerry Purdy, PhD., principal analyst, mobile and wireless, MobileTrax. He points out that, “The largest selling digital camera in the world sits inside a smartphone. We are seeing sales of over one billion units a year. Through technical innovations, you can now take a really good photo with a phone, as well as HD video.”

Dr. Purdy predicts that more content will be generated by users with camera phones than all the cameras and camcorders combined. Following Dr. Purdy’s presentation, Henning will lead a discussion of the future of mobile-imaging hardware and software with panelists from Nokia, Vidyo, NVIDIA, Verizon Wireless, and other leading companies.

Photo Image Capture Summit: 6Sight’s digital photography expert Paul Worthington will lead this summit, which will explore imaging innovations that will change the way we capture images. He notes that “Affordable, quality cameras are so ubiquitous, it’s easy to forget they are exponentially better than the pricey hardware of yesterday. But those improvements and cost reductions bring a new challenge: What will make consumers buy new cameras, and how can the industry continue to grow and profit?”

The keynoter for this summit will be Vincent Laforet, a Los Angeles based commercial director and photographer who is regularly commissioned for advertising, fine art, corporate and editorial projects. Laforet’s work has been published in most major publications around the world.

Social Imaging Summit: Social media pioneer, business guru, and investor Guy Kawasaki will lead the social imaging summit. This topic is of great interest to photo-service providers because social networking has replaced the traditional 4 x 6-inch print as the primary method people use to share their photographs.

Kawasaki is well-known for his best-selling book “The Art of the Start,” which is a must-read for entrepreneurs seeking funding for start-up companies. In his newest book, “Enchantment,” Kawasaki explains why delighting your customers, bosses, and employees is much more effective than trying to manipulate them. He explains how enchantment can change skeptics and cynics into believers and the undecided into loyal customers and followers.

Photo Publishing Summit: Digital printing and marketing expert Barb Pellow of InfoTrends will lead this summit. She says that as the photo market continues to explode, “Consumer-based photo merchandise, including photo books, calendars, and greeting cards will experience double-digit growth. Numerous vertical market and business applications are emerging to support real estate, travel and leisure, events, and special interest groups. The 6Sight Future of Imaging Summit is going to provide a tremendous opportunity for participants to explore new business ideas.”

For more information about the conference, visit www.6sight.com. For a preview of the quality of insights you can expect to get at the 2011 conference, visit the Video Rewind Archives of the 2010 Future of Imaging Conference and watch the 30-minute wrap-up panel discussion that concludes Day 2 of the conference.

The 6Sight Report keeps you posted on the types of technologies that will be discussed at the Future of Imaging Summit.

 

 

Site Helps Educate Potential Users of Stock Photography

The growth of blogging, self-publishing, and content-marketing means that more people than ever before are involved in producing online articles, e-books, webinar presentations, and publications. Many of these new content publishers haven’t been schooled in journalism, graphic design, or photography and aren’t aware of copyright laws that protect images on the Internet. Even if they are aware of copyright laws, some people believe that the Internet is public domain and that all images can be used for free.

A new website called StockPhotoSecrets.com intends to clear up some of this confusion, while teaching both new and seasoned buyers about their options for buying stock photography. StockPhotoSecrets.com is designed to be an international, comprehensive guide that connects new users, industry professionals, and stock photography agencies.

“Stock photography and the buying stock photos has been complex for years, and it is our goal to make it user-friendly for all stock photo purchasers,” says StockPhotoSecrets founder Amos Struck. He is also the founder and editor of Stock Photo Press, a publishing company that operates several German and international magazines that teach people how to buy and sell stock photos.

Screen shot of StockPhotoSecrets

Some of the articles on StockPhotoSecrets.com explain:

  • how to pick the right photo for your blog or website
  • when you can use editorial image licenses
  • how to purchase photos from Flickr
  • how to order the right size for printing posters

Other features on the site include reviews of various stock-photo agencies, special offers, and video tutorials on working with stock photos.

As more people learn about the benefits of buying stock photography, the market will grow and photographers will have to worry less about having their copyrighted images used without their permission.

LINK

StockPhotoSecrets.com

 

Campaign Promotes Bill of Rights for Creatives

Logo for Bill of Rights for Creative PeopleEleven professional photography associations have launched a worldwide campaign to help promote the intellectual property rights of creative people in all disciplines—photography, video, film, fine arts, music, writing, design, etc.

The campaign centers around an Artist’s Bill of Rights that outlines a set of ethical principles that enable individuals to control how their creative works are used. It updates a document that the international Pro-Imaging Organization initiated in 2008 to protect the rights of individuals who enter photography competitions.

The Bill of Rights is helping to raise awareness of the practice of “rights-grabbing” in which some competitions harvest unlimited usage rights, or even the copyright, of the works submitted by contest entrants.

According to campaign manager Gordon C. Harrison, “The worst type of rights grabbing is where the terms and conditions for a contest require the entrant to assign the entire copyright and other rights for any works submitted to the competition, and to waive their moral rights. These practices are not uncommon. We have documented 35 cases of  copyright grabbing, 26 cases where moral rights have to be waived, and 7 cases where both occurred.”

If the practice of rights-grabbing continues to spread,  it will devalue photography, art, music, and creativity as a whole by reducing the need for organizations to commission or purchase creative works.

A key aim of the Artist’s Bill of Rights campaign is to educate the public about the importance and potential value of their intellectual property rights. The campaign can also help educate contest organizers who might unknowingly be asking for more usage rights than they actually needed to conduct and promote the contest.

The Artist’s Bill of Rights campaign is presented through a website that is now available in over 40 languages.

Campaign Aims

The campaign has the following aims:

  • To provide a means whereby all artists’ associations can unite around a common set of standards for preservation of their rights.
  • To promote the Bill of Rights’ standards for the preservation of artists’ rights in competitions and appeals seeking creative works.
  • To promote organisations who support the Artists’ Bill of Rights and to promote their competitions and appeals.
  • To educate the public about the purpose and value of their intellectual property rights and to enable them to recognise when they are being exploited.
  • To publish reports about the extent of rights grabbing and to analyse and quantify the rights grabbed by the private, public, charitable, and non-profit sectors.
  • To press for legislative changes that would protect the public from unfair and unethical terms and conditions that seek to exploit their intellectual property rights.

Campaign Supporters

The eleven associations currently supporting the campaign include:

  • Advertising & Illustrative Photographers Association (New Zealand)
  • Association of Professional Photographers (Iceland)
  • Association of Photographers (United Kingdom)
  • Australian Commercial & Media Photographers
  • Australian Institute of Professional Photography
  • British Institute of Professional Photography (United Kingdom)
  • British Photographic Council (United Kingdom)
  • DJ:Fotograferne, photographers within the Union of Journalists (Denmark)
  • Editorial Photographers of United Kingdom and Ireland
  • Pro-Imaging Organisation (United Kingdom)
  • The National Press Photographers Association (US)

In addition to these associations, many private and public sector organizations have proclaimed their support for the principles, including the Society of Authors. All of the supporters are listed on the campaign website. All artists organizations are invited to participate, and contact the campaign organizers through the website.

The website also lists photography competitions that comply with the principles in The Artist’s Bill of Rights and those that don’t.

If you or your studio or organization want to show support for the principles in the Artist’s Bill of Rights, you can grab the appropriate logo below, and link it to: http://artists-bill-of-rights.org

Logo for Organizations to Support Artist's Bill of Rights

Logo for individual support of Artist's Bill of Rights

LINKS

Website: Artist’s Bill of Rights

Resources on the Artist’s Bill of Rights Website

Guide to Rights & Licensing
An overview of copyright, types of licenses, moral rights, and the consequences of rights grabbing. As the authors of the website point out: “Rights grabbing devalues creativity by acquiring creativity for nothing.” Rights grabbing can also damage your reputation if your work is used to promote products, services, or campaigns of which you don’t approve.

Organiser’s Guide to The Artist’s Bill of Rights
This section of The Artist’s Bill of Right website explains how contest organizers can write competition terms and conditions that will give them the rights they need for their own publicity and promotion requirements while respecting the rights of the entrants.

Rights-Grabbing Statistics
Spreadsheets on this page attempt to calculate the extent of the problem and pinpoint the sectors in which rights-grabbing occurs most frequently. An analysis of current statistics estimates that more than 6,000 images are being grabbed each day.

Blurb ProLine Improves Aesthetics of Photo and Design Books

DESIGNERS. PHOTOGRAPHERS. If the generic look and feel of many photo books have kept you from seriously considering producing a brand book, client presentation, or personal portfolio, check out the new ProLine of books from Blurb.com. The line was specifically created for creative professionals who to distinguish themselves not only through the content of their books, but also in their choice of materials.

With ProLine, you can customize your book with heavier, better-quality papers, more distinctive covers, and a choice of end sheets.

Fine Book Papers and End Sheets

The first two ProLine papers (Pearl Photo and Uncoated) are produced by Mohawk Fine Papers, Inc.

Blurb’s Pearl Photo paper is a rebranded version of Mohawk proPhoto paper. The 140 lb (190 gsm) semigloss paper is slightly heavier and glossier than the Premium Lustre paper used in other Blurb photo books. The Pearl Photo paper emulates the traditional photographic papers, enabling your books to resemble collections of custom photographic prints.

Blurb’s Uncoated paper is the popular Mohawk Superfine Ultrawhite in Eggshell finish. Blurb CEO Eileen Gittins noted that “Mohawk’s rich, heavy uncoated paper with its organic texture is hot in the design community right now.”

Blurb ProLine books can be created with Mohawk Superfine and proPhoto papers.

The ProLine end sheets are 80 lb. (115 gsm) papers that are currently available in five colors: charcoal grey, dove grey, warm grey, black, and white.   

According to the Blurb, the two new ProLine papers from Mohawk are just the beginning. They plan to expand the creative range with additional professional-grade papers, more end-paper choices, and the ability to design books with more than 160 pages. 

Linen Covers

The first new ProLine covers are linen hardcovers. You can choose from two colors: Oatmeal or Charcoal. Both are uncoated, giving them more of a natural feel. You can also choose to have your book produced with the Standard Black Linen cover.

LINKS

Blurb ProLine

Mohawk Fine Papers

Online Gallery Helps Buyers Commission New Art

ARTISTS. Zatista.com is an online seller of original art. The art lovers who founded the site believe a growing number of people would prefer to own something unique, rather than a reproduction. Recently, they introduced a service through which buyers can submit commission requests to artists whose works they admire on the Zatista site.

Zatista LogoOnce the request is submitted, Zatista works with the buyer and artist to ensure that the quoting and payment processes go smoothly.  For example, they help the buyer create a well-formed request with all the relevant details, and craft a commission agreement that both the buyer and artist can accept. Buyers aren’t charged for submitting commission requests. Nor are they obligated to accept the quote or follow through with the project.

Artists who are particularly interested in commissions should let the Zatista staff know, because they occassionally receive requests from buyers who does not have a particular artist in mind.

Another service Zatista.com provides is a complimentary art concierge service to help buyers select the right piece of art for their home or office.

How to Sell Your Art

Zatista currently sells original oil paintings, acrylic paintings, charcoal drawings, and mixed media works. They will also sell photographs and prints of digitally created art, as long as each print is hand-signed and numbered in an edition of 100 or less. They don’t sell sculpture, jewelry, furniture, weavings, and other categories of art.

To ensure that the site offers a robust, well-rounded selection of quality art in a variety of mediums, all artists and galleries who want to sell works on the site must be approved by Zatista’s Art Review Board.  When you apply, you will be asked to complete a profile and list a minimum of 3 works and a maximum of 5 works.

In addition to evaluating your art, the Art Review Board will take into account how professionally you present it. For example, photographs of your works should be clear, without extraneous objects or lighting glare. Your profile should be well-written, clear, and informative, and your store banner and message should be nicely created. The review process typically takes 3 to 5 days. It’s up to you to set the price for your work.

If your art is accepted for sale on the site, there are no membership or listing fees. Instead, you will be charged a commission when your art is sold. To make original art more affordable to more people, the online sales commission is substantially lower than commissions typically charged by brick-and-mortar galleries. For more information about the artist approval process, visit the FAQ section of the Zatista.com website.

Once your application has been approved, you are encouraged to display additional works and spread that word about Zatista to your Facebook fans and Twitter followers. You can also add a “Buy on Zatista” button to your blog, so visitors to your site know they can easily purchase your work any time day or night.

About Zatista

Zatista was founded by entrepreneurial Internet industry veterans. Their goal is to make the art-buying experience less intimidating and more enjoyable. They also want to make more originals easily accessible to aspiring collectors all over the world who might not be able to explore multiple galleries in big cities to find the art they like.

The Zatista website includes a glossary or art terms, and other information designed to educate and encourage a new generation of collectors.

LINK

Zatista.com