Nov8trix Helps Smaller Publishers Sell Works on iPad

Do you have photo books, art books, graphic novels, literary journals, or magazines that you would like to be able to sell through iTunes App Store? If so, check out the new iPad Publisher program from Nov8trix.

The iPad Publisher program can help any publisher, organization, self-publisher or content creator have the same global mobile-distribution reach as Time Warner, Hearst, and other mega-publishers.

“We give clients their own fully-branded, exclusive iPad digital storefront app for their publications. Clients have 100 percent creative control over the inventory placed in their app. Apple pays our clients directly for their sales and we do not take a share,” said Manish Sehgal, CEO of Nov8rix.

The iPad Publisher apps from Nov8rix are designed to remove some of the complexity and risks involved in producing books or publications to sell through the iTunes App Store.

“Our goal was to make it affordable for anyone to ‘dip their toe’ into mobile apps without spending much money or time. When clients work with us, all they have to do is provide us with their content and we take care of everything else,” adds Manish. “By giving clients their own bit of real estate in the iTunes App Store, we enable our customers to reap (and keep) what they sow.”

One organization that has used the Nov8trix product is Women in Aviation, International.
“The folks at Nov8rix went out of their way to make the seemingly gargantuan task of creating an iPublisher app simple,” says Amy Laboda, Editor-in-Chief, Aviation for Women Magazine. “Manish met with us and explained the process succinctly. That made it a simple matter of uploading our finished materials to Nov8rix and watching them work their magic. Our magazine displays beautifully on the iPad. And within a week, we were available to a much, much larger marketplace.”

Founded in 2009, Nov8rix develops products that make it easy for you to take your content mobile. The New York-based company has released 200+ apps on the iTunes App Store and the Android Market.

LINK

Nov8trix iPad Publisher

 

Book Publishing Trends that Will Affect Aspiring Authors

Books on library shelvesWRITERS. Here are a few links, quotes and predictions from a variety of expert sources in the book-publishing industry. Reading these posts can help you think strategically about how you develop your skills and manage your writing career.

E-book Market Forecast to Hit $2.5 Billion as the Book Industry Burns

In this post on GigaOM, industry analyst Michael Wolf states “I’ve never seen a market changing faster than the digital publishing market of today, where the sudden love of e-books has created a ‘digital backdraft’ that has set the entire publishing industry value chain aflame.”

He notes that book discovery is going social: “Whether readers are learning about new books from friends or general-purpose social networks like Facebook or through reading-centric networks like Goodreads, social recommendations are becoming increasingly important in the age of ebooks.”

Why 2012 Will Be the Year of the Artist-Entrepreneur

In another post on GigaOM, Michael Wolf observes that: “Everywhere you look, artists are taking more control over their own economic well being, in large part because the Internet has enabled them to do so. You see it in all forms of content, from books, to video to music.”

He says the web has democratized everything: content production, distribution, and monetization. He also sees a generational shift toward more tech-savvy artists who are creating their own apps and websites.

Ten Bold Predictions for Book Publishing in 2012

In this post on Digital Book World, Jeremy Greenfield includes these predictions:

  • We will see more self-published best-sellers next year, with an exponential rise in the number of million-selling authors”
  • Authors will become disenchanted with the rights they sign away to publishers. Shorter and more flexible copyright terms will become more attractive to authors.”
  • The standard ebook royalty from major publishing houses will rise next year and will escalate with increased sales.”

David Farland Predicts That the Release of the iPad3 in 2012 Will Spell the End of Reading as We Know It Within 3 Years

In a press release issued on PRWeb, the author who founded East India Press predicts that “enhanced books” are about to change how we read. He believes we are at the start of a new era in which creative troupes of authors, artists, musicians, and publishers will collaborate to produce “books” in which text, images, and sounds come together in a collage.

The Publishing Industry, 5 Years from Now: Theories from the Frankfurt Book Fair

On the BookBaby blog, Chris Robley suggests 5 ways he believes that publishing will look different 5 years from now.  Here are two of his predictions:

The market for shorter works (10 pages to 10,000 words) will expand. He says, “Size really doesn’t matter. It only matters how useful and engaging the content is. So, pretty soon the novella will be back in vogue. Short stories will sell individually. If you’ve got something valuable and succinct to share, you no longer have to pad it out with fluff, filler, or filigree.”

Digital books will be serialized, including non-fiction books. Readers who purchase an upfront subscription will receive each chapter as soon as it’s finished. Meanwhile, as an author, you can get instant feedback from readers, so you can revise as you go. Robley writes: “By the time you release the full book, it will have gone through an invaluable editing process (for free) and it will be completely up to date.”

Publishers will recognize two types of consumers: those who like the “enhanced” ebooks that include video, audio, and interactivity, and those who prefer “old-fashioned” text-only ebooks. He predicts that publishers will “market these two kinds of products in increasingly different ways.”

Because of the increased costs involved in printing and distributing physical books, Robley also predicts that five years from now publishers will produce e-books for all of their authors, and physical books for only a few.

So, what’s your take? Would you like to share any other links to other big, bold predictions for the future of book publishing?

Publishing Enhanced Novels May Require Teams of Writers, Artists, and Musicians

What will novels of the future be like? David Farland, a best-selling author of more than 50 novels, thinks he knows. He predicts authors will take advantage of advances in e-book technology and use music, art, and animation to enhance the novel’s storyline.

Then, publishing houses will become more like multimedia production houses, with book editors serving as “producers.”

To start preparing for a future in which the text of a novel comes together with images and sounds in a meaningful way, Farland co-founded East India Publishing. The company used enhanced e-book technology to produce Farland’s new young-adult novel “Nightingale.”

As he developed “Nightingale,” Farland purposefully crafted a storyline that would make use of enhanced e-book technology. Instead of adding sound and art as an afterthought to an existing manuscript, Farland created a work in which the music and art fit the story.

His story is about a young man who wants to become the world’s greatest guitarist and venerates the music of Joe Satriani. The 45-minute album of music that supports chapters in the enhanced e-book, was created by James Guyman, head of the American Composers’ Guild. Farland reports that “The music sounds like it could have been produced by Satriani, in the style of Pink Floyd, brining the music in line with the story.”

Making E-Reading More Engaging

Farland regards “Nightingale” as a first step toward creating a more engaging form of novel, the kind that kids who are reluctant readers might devour.

Although die-hard lovers of printed books swear they will never read an e-book, Farland says, “The enhanced novel, when done properly, can be something to experience” and may take e-reading to the next level.

Ultimately, the production of enhanced novels may require troupes of writers, artists, illustrators, animators, composers, and musicians commissioned to create a finished work that is far greater than a single writer could achieve working alone.

For “Nightingale,” East India Press hired several artists and inserted “cinemagraphs” in chapter.  (A cinemagraph is a minimalist form of animation in which only one element of a photo or illustration moves.) Other features of the enhanced e-book version of “Nightingale” include video interviews and photographs of the setting in which the story takes place.

The Evolution of Publishing Houses

The rise of enhanced e-books will mean that traditional publishing companies may eventually operate more like production houses, says Farland. They will be equipped not just to produce novels, but stories in many formats.

He regards this multimedia evolution as a way for major publishing companies to develop products that are recognizably superior to the millions of books being churned out by self-publishing companies that let everyone be a published author.

Creating e-books has become so cheap and easy that readers are being deluged with books that often aren’t very good, Farland points out. He believes readers will soon realize that the publishing-company gatekeepers (the editors and agents) served a useful purpose by  reading through the slush piles of manuscripts to find those authors whose works were ready for the marketplace.

As more and more people start using e-readers to read most of their books, publishing houses won’t have to spend as much money to print, distribute and warehouse books. Instead, he says, “We’ll spend it on creating great products.”

This means that “We’re going to need editors in the future who understand how to green-light a novel and who can recognize what will please an audience. But once a work is selected, the editor will take the role of the producer—assembling a creative team of composers, musicians, illustrators, animators, directors, sound-effects engineers, and so on.”

“We don’t want to replace reading,” contends Farland. “We don’t want to make movies. Reading often engages imagination in ways that movies fail to. We want to keep it that way. We want the reader to be a partner with us in brining a tale to life. At the same time, we hope to ‘enhance’ the story, help readers become more fully involved with it, yet keep budgets to a reasonable price. With film clips, animations, illustrations, background music, and sound effects, we can create something that fuses a lot of storytelling tools.”

For “Nightingale,” David Farland and East India Press didn’t stop with the enhanced novel. They also put the book out as a standard e-book and hard-cover print book. They also offer a full album of music and an audio book version complete with sound effects and background music from the album.

East India Press has created a web-simulation technology that mimics how the enhanced e-book appears on the iPad. So if you don’t yet have an iPad, you can see what an enhanced novel might look like by visiting: http://www.nightingalenovel.com

To read more about Farland’s vision for the future of publishing, download the plain-vanilla PDF entitled “The Future of Publishing is Self-Publishing.”

LINKS

About David Farland

Enhanced E-Book: Nightingale

East India Press

White Paper: The Future of Publishing is Self-Publishing by David Farland

 

Expert Shares Secrets of Successful Self-Published Authors

Last month, I listened in on a terrific Writer’s Digest University webinar entitled “Seven Secrets of Successful Self-Published Authors.” The webinar was presented by Keith Ogorek, Senior VP of Marketing, Author Solutions Inc. (ASI).

ASI has become a leader in self-publishing by introducing new technologies and services to help more authors achieve their personal publishing goals. The firm has worked with more than
85,000 authors and 120,000 titles.  ASI is a partner in the Abbott Press division Writer’s Digest.

While working with many self-published authors, Ogorek noticed that those authors who achieved the most success and satisfaction tended to have certain things in common. Authors who didn’t possess these traits or pursue certain actions often were disappointed or frustrated with their self-publishing experiences.

Ogorek is currently publishing a series of posts on his Indie Book Writers blog that delve into these seven traits in more detail. But here’s a quick rundown of the seven traits and actions he discussed in the webinar.

Successful self-published authors can describe their audience in a way that is not unrealistically broad. They can picture their audience in terms of age, gender, interests, and where they go when seeking information.

Successful self-published authors believe in their work. Instead of fearfully sticking their novel in a drawer, they move forward with confidence, even after being turned down by literary agents or traditional publishers.

Successful self-published authors set a deadline for having a finished book in their hands. Sometimes this may be a milestone birthday or scheduled speaking engagement. Or, it could be just a random date. After setting a deadline for completion,
authors then work backward and develop a timeline with project-milestone dates for submitting the final pages to printing, proofreading the layout and design, and having the manuscript edited and cover designed. Experienced self-publishing consultants can help authors establish realistic deadlines and timetables for each phase—including action items authors might otherwise overlook.

Successful self-published authors understand their publishing goals and options.  Because writers today have so many options, Ogorek firmly believes “It’s the best time in history to be an author.” But, successful authors first take the time to understand the pros and cons of each option before choosing which route is best for them. The three main options include: traditional publishing, do-it-yourself publishing, or supported self publishing. Which option is best, says Ogorek, depends on each author’s talents, commitment, and patience.

For example, the traditional publishing route first requires selling the work to a literary agent, who must then sell it to a publisher. Authors may get more personal support with
traditional publishing, but must give up final control of the content, cover
design, and when the book is published.

The “do-it-yourself” publishing route (through companies such as Lulu or CreateSpace) gives authors total control over every phase of the process. The author can choose to
assemble his or her own team of designers, editors, and publicists as needed.

Supported self-publishing companies such as Abbott Press give authors easy access to publishing and marketing consultants who can edit manuscripts, design the book, and suggest marketing strategies. With supported self-publishing a manuscript can be converted into a marketable book within about 60 days.

Going the self-published route doesn’t eliminate opportunities to have the same work produced by a traditional publisher, Ogorek emphasized. But whatever route is chosen, authors must be prepared to commit a certain amount of time and money, particularly during the promotion and marketing of their books.

Successful self-published authors know the power of social media. Many authors use blogs to build a following long before their book comes out. Authors also use blogs to position themselves as experts in fields related to the subject of their books and establish online dialogues with potential buyers of their books.

Succesful self-published authors put together a marketing plan before publication. In addition to being able to describe who their readers will be, successful authors plan how they’re going to reach them and decide what kind of marketing help they need to build a groundswell of support even before the book is published.

Successful self-published authors plan a book-launch event. A scheduled book launch party motivates authors to get things done.  Ogorek said it’s also a great way to celebrate that “You’ve written to the finish” and achieved your goal of publishing a book.

About The Abbott Press

The Abbott Press is the new publishing division of Writer’s Digest, which has been providing education, resources, and inspiration to authors since 1920.  (Check Writer’s Digest University, Writer’s Digest magazine, and the Writer’s Digest bookstore.) In this video, Phil Sexton of Writer’s Digest explains what sets Abbott Press apart from other self-publishing companies.

LINKS

Indie Book Writers Blog by Keith Ogorek

About Author Solutions, Inc.

About Abbott Press

Writer’s Digest University

Writer’s Digest Bookstore

 

StoryMill Novel-Writing Software Adds E-book Publishing

WRITERS. If you have always dreamed of being a published novelist, you now have a wide choice of tools to make it possible on your own. Mariner Software recently announced one more option.

With the new publishing feature added to Mariner’s StoryMill novel-writing software for Mac OSX, you will be able to bring your story from conception to completion.

StoryMill software ($49) provides tools for building your novel, including features for developing and tracking characters, storylines, and locations, revising your drafts, and setting and meeting daily word-count goals.

If you plan to submit your manuscript to literary agents, the software does include tools for tracking your submissions. But the newest feature added to StoryMill makes it easy to publish your novel yourself.

When you select Publish, you will be connected to the full publishing services offered by trekden.com. At no additional cost, you will receive general editing cover design services, ISBN assignment, and the publication of your novel as e-book that can be purchased through the Apple iBook Store and Amazon Kindle Store.

T.K. Dennis, president of _trekden, said his company’s partnership with Mariner provides a turnkey solution for authors who want to write and publish novels: “Our goal is to eliminate as many barriers as we can from the publishing process.”

Michael Wray, the president of Mariner Software, notes that when you buy StoryMill, “You’re not just buying an app that makes the writing process fun and easy, you’re also investing in a means of publishing that will make the dream of becoming a published author a reality.”

As with any self-publishing option, make sure that the service you choose matches your publishing objectives. Some independent publishing services seem geared primarily for writers who are seeking creative fulfillment more than income generation. In this case, be aware that although the publishing services offered don’t require additional out-of-pocket expenses upfront, most of the income from book sales will go to _trekden. Most authors will earn just 25% of the revenues from every book sold.

This may be perfectly fine if your goal is simply to be able to claim you that you have published a novel. But if you’re choosing to self-publish your work because you believe you might be able to earn more than going the traditional publishing route, you might want to explore all your options first.

LINKS

About Story Mill Software

About _trekden Publishing

Meet the President of _trekden

 

Author Learning Center Teaches Book Creation and Marketing

Author Learning Center LogoWRITERS. Author Learning Center is a new online educational resource for authors engaged in any stage of the story development or the book marketing process. Designed for both aspiring and established authors, the subscription-based community offers live and on-demand webinars, podcasts, videos and articles from industry experts and notable writers.

Some of the sessions covered include:

  • Working with an outside publicist
  • Advice for beginning writings
  • What is a short story?
  • Constructing a memoir
  • The elements of a page-turner
  • Developing your teen writing voice
  • Writing and editing traps to avoid
  • How agents can help authors
  • Tips for getting your book published
  • Digital marketing
  • Steps for turning your book into a film

A division of Author Solutions, Inc., the Author Learning Center is built on the experiences gathered during the publishing of more 140,000 new books from over 90,000 different authors. Publishing industry A-listers such as Marvel Comics creator Stan Lee and best-selling authors such as Mitch Albom, Elmore Leonard, and Victor Villasenor will have a presence, providing fun and informative video resources to the Author Learning Center.

“We recognized a basic need that existed in the book publishing community for a comprehensive educational resource designed to guide authors through both the business and creative aspects of book development,” said Keith Ogorek, senior vice-president of Marketing of Author Solutions, Inc. “We envisioned the Author Learning Center as the complete resource for authors to bring their book from the idea phase to the bookshelf.”

Features of the Author Learning Center include:

Author Space. This online workspace is your portal into the Author Learning Center. From here you can access your book projects, personal profile page, the author community and the site’s complete library of educational content. Author Space also provides links to new and popular content as well as recommended content based on your profile settings. Content that has been read or viewed can be easily added to a convenient “My Resources” tab for quick retrieval at a later date.

Book Development Tool. Here you can create a book project, establish a timeline, and track the completion of various book-development tasks using a sliding status bar.

Author Community. This tool functions as a customizable workgroup, allowing you to share content with other authors and solicit feedback and critiques.

Mobile Video Capability. You can access to the videos and webinars of the Author Learning Center via your smartphone or mobile devices.

The Author Learning Center’s full catalog of features is available on a yearly subscription basis for $149. Free, limited guest access is also available. For a free trial subscription, visit http://www.authorlearningcenter.com.

About Author Solutions, Inc.
Author Solutions, Inc. (ASI) is a world leader in indie book publishing. ASI’s self-publishing imprints include AuthorHouse, AuthorHouse UK, iUniverse, Palibrio, Trafford
Publishing and Xlibris. Through strategic alliances with leading trade publishers, ASI is making it possible to develop new literary talent efficiently and provide authors a platform for bringing their books to market.

LINKS

Author Learning Center

Author Solutions Inc.

 

Five Tips from an E-Book Cover Design Specialist

WRITERS. If you need an affordably priced custom cover designed for an e-book project, check out the services of book-cover designer James Junior. He can create designs for all sizes and formats, including (but not limited) to:

  • Kindle e-books
  • Any other e-reader (Nook, iPad, etc.)
  • Mobile screens (iPhone, etc.)
  • Print books
  • 3D eBook covers and software boxes for website display

He prides himself in on offering excellent rates and is willing to work with you until you are satisfied with the design. Get a 25% discount by mentioning that you read about James Junior’s custom cover design services on Creatives at Work.

Design ©James A. Junior

For authors who have never worked with a cover designer before, James Junior offers these tips:

Know what you are asking for. Prices vary depending on the type of format(s) you need.

Be open to the designer’s ideas. Knowing what you want is great, but give the designer some room to inject their own talent into the cover.

Be honest, not nice. If you don’t like something about your cover design, say so; after all, it is your book and your money.

Before you accept the finished cover design, make a thumbnail of it around the same size as Amazon’s thumbnails. Why? You want to make sure the text is legible at that size, and the image isn’t distorted. The thumbnail version will be the first image a reader sees. It must be clear and compelling enough to entice the reader to click on your thumbnail to see a larger version.

Three-dimensional software boxes and book covers are used on websites to reinforce the buyer’s perception that they are buying a tangible product of value, and not just a digital download. ©James A. Junior

Ask the designer for the “layered version” or PSD version of your book cover. This will come in handy later if you want to add or change a detail on the cover and the designer isn’t available.

LINKS

Custom eBook/Book Covers by James Junior

James Junior: Sample Designs